Unlike previous adaptations, The Grandmaster does not solely focus on the figure of Master Ip Man. Instead, it explores the events surrounding the retirement of Grandmaster Gong and the selection of his heirs. This struggle involves Ip Man, a skilled northern disciple, and Gong’s daughter, an expert in the 64 Hands technique, who is convinced she is the rightful successor.
The film delves into legacies and how traditional martial arts forms are transmitted over time. It does so through themes of power struggles, gender roles, and familial conflicts. Those who seek change must defeat their masters, while those who wish to preserve tradition battle their peers. This dynamic leads to divisions, personal vows, and difficult decisions.
A Visually Stunning Adaptation
This version is more stylized and may appeal more to fans of Hollywood cinema. Personally, I prefer the earlier Ip Man films, particularly the first from 2008 and the last from 2013. However, I must acknowledge that the fight sequences in The Grandmaster are impeccable, and the cinematography is exceptional. The film also presents a more humanized Ip Man, who, despite his strong principles, is not as passive as he is often portrayed.
Certain scenes reveal the harsh reality of war and the suffering of Ip Man’s family. At one point, he admits that he has never worked and does not know how to. He turns to the masters for guidance, a detail that is not emphasized in earlier adaptations. This struggle ultimately leads him to leave Foshan alone.
Cast and Performances
- Tony Leung (Windseeker, Hero, Tokyo Raiders) takes on the role of Ip Man. Having seen three actors portray this character, I believe they all capture his essence remarkably well. In this version, Ip Man appears slightly more combative, likely to enhance the film’s appeal.
- Ziyi Zhang (Sophie’s Revenge, Memoirs of a Geisha, Crouching Tiger, Hidden Dragon), a well-known face in Asian cinema, plays Grandmaster Gong’s daughter. She renounces her life as a woman to uphold her family’s legacy. Her performance is flawless.
- Chen Chang (Reign of Assassins, Crouching Tiger, Hidden Dragon, Blood Brothers) plays the Northern heir, chosen by Grandmaster Gong. Gong’s daughter, however, vows to reclaim her family’s legacy from him.
- Song Hye Kyo (Worlds Within, That Winter, the Wind Blows, Full House), a popular actress among Korean drama fans, plays Ip Man’s wife. Unfortunately, her role is minimal. Initially, it was rumored that she learned Cantonese for the role, yet she barely speaks, and when she does, her dialogue is dubbed. It seems her presence was mainly intended to attract Korean audiences.
Strengths and Weaknesses
One of the film’s highlights is its stunning slow-motion fight sequences, particularly those in the rain—every martial arts film should have one! The sound effects and choreography are perfect, but they can also be a distraction, emphasizing style over substance. A standout feature is the way the martial arts techniques are described before being used, showcasing the extensive research behind the script.
However, the film’s pacing is sometimes slow, which can diminish its impact. It builds anticipation but takes too long to deliver, making viewers lose sight of what they were waiting for. The director seems intent on presenting breathtaking slow-motion sequences, but their length occasionally reduces their effectiveness. Still, the cinematography and shot composition are undeniably top-tier.
A Memorable Connection
Another key aspect is the deep respect and unspoken affection between Ip Man and Grandmaster Gong’s daughter. Their vastly different circumstances prevent anything from developing between them, but their single encounter is intense enough to be unforgettable.
Ultimately, if you are a fan of martial arts films, The Grandmaster is a must-watch. Despite its occasional clichés and slow moments, it remains an excellent film that will leave you captivated until the very end.